This phrase, popularized by E.E. Cummings in his 1926 poem “i sing of Olaf glad and big,” refers to a particular archetype of women perceived as intellectually refined, emotionally reserved, and conventionally proper, often associated with the academic and social environment of Cambridge, Massachusetts, and more broadly, with a certain stratum of educated, upper-class women in the early to mid-20th century. The poem uses this image satirically, contrasting their outward composure with a perceived lack of genuine emotional depth or connection to the realities of life. Cummings’s depiction suggests these women prioritize appearances and social decorum over authentic experience.
The enduring impact of this phrase lies in its evocative critique of social conformity and the potential emptiness behind a faade of intellectualism and propriety. It captures a specific cultural moment and provides a lens through which to examine gender roles and social expectations of the era. Understanding the historical context of the poem and the societal norms it challenges illuminates the ongoing relevance of exploring themes of authenticity and self-expression. The phrase serves as a reminder of the importance of looking beyond superficial appearances and engaging with the world on a deeper, more meaningful level.
